quot; amp; quot;Destinyquot; Ambigram A custom ambigram of the wordhttps://c2.staticflickr.com/6/5569/14731223689_75181b259b_z.jpg
ambigram words
An ambigram is a term, talent or other symbolic representation whose elements retain meaning when interpreted or looked at from some other direction, perspective, or orientation.
The meaning of the ambigram might either change, or remain the same, when viewed or interpreted from different perspectives.
Douglas R. Hofstadter explains an ambigram as a "calligraphic design that manages to press two different readings in to the selfsame group of curves." Different ambigram artists (sometimes called ambigramists) may create completely different ambigrams from the same expression or words, differing in both style and form.
Popularity and discovery
The earliest known non-natural ambigram dates to 1893 by musician Peter Newell. Although better known for his children's literature and illustrations for Symbol Twain and Lewis Carroll, he shared two catalogs of invertible illustrations, in which the picture turns into a different image when turned upside down entirely. The past page in his publication Topsys & Turvys provides the phrase THE final end, which, when inverted, reads PUZZLE. In Topsys & Turvys #2 2 (1902), Newell ended with a variation on the ambigram where the last end changes into PUZZLE 2.
The Verbeek remove "The UpsideDowns of old man Muffaroo and little lady Lovekins" used ambigrams in 3 consecutive strips in March,1904, but often the format of the strip prevented the utilization of phrase balloons.
From June to September, 1908, the British monthly The Strand publicized some ambigrams by different people in its "Curiosities" column. Of particular interest is the actual fact that four of the people submitting ambigrams thought them to be always a rare property of particular words. Mitchell T. Lavin, whose "chump" was posted in June, composed, "I think it is in the only phrase in the English language which has this peculiarity," while Clarence Williams composed, about his "Guess" ambigram, "Possibly B is the only letter of the alphabet that will produce this interesting anomaly."
In 1969, Raymond Loewy designed the rotational NEW MAN ambigram emblem, today which is still in use. The mirror ambigram DeLorean Motor Company logo was first used in 1975.
John Langdon and Scott Kim also each believed that they had developed ambigrams in the 1970s. Langdon and Kim are most likely both artists who've been most accountable for the popularization of ambigrams. John Langdon produced the first reflection image custom logo "Starship" in 1975. Robert Petrick, who designed the invertible Angel company logo in 1976, was also an early on impact on ambigrams.
The initial known published mention of the word ambigram was by Hofstadter, who attributed the origin of the word to conversations among a small group of friends during 1983-1984. The original 1979 edition of Hofstadter's G?del, Escher, Bach included two 3-D ambigrams on the cover.
Ambigrams became popular because of this of Dan Brown incorporating John Langdon's designs in to the plot of his bestseller, Angels & Demons, and the Movie release of the Angels & Demons movie is made up of a bonus section called "This is an Ambigram". Langdon also produced the ambigram that was used for some variations of the book's cover. Brownish used the true name Robert Langdon for the hero in his books as an homage to John Langdon.
In music, the Grateful Deceased have used ambigrams several times, including on their albums Aoxomoxoa and North american Beauty.
In the first group of the United kingdom show Trick or Treat, the show's sponsor and creator Derren Brown uses cards with rotational ambigrams. These credit cards can read either 'Trick' or 'Treat'.
Although what spelled by most ambigrams are brief long relatively, one Movie cover for The Princess Bride movie creates a rotational ambigram out of two words: "Princess Bride," whether viewed right area up or ugly.
The Transformers movie series have logos that are a automatic robot face whether seen right part up or upside down. A couple of two such logos, one for an Autobot, and one for a Decepticon.
In 2015 iSmart's brand using one of its travel chargers travelled viral because upside-down it read "+Jews!" The company observed that "...we learned a powerful lesson of what never to do when creating a company logo."
Types of Ambigram
Ambigrams are exercises in graphical design that play with optical illusions, symmetry and visible perception. Some ambigrams feature a relationship between their form and their content. Ambigrams usually belong to one of the categories:
3-Dimensional
- A design where an subject is presented that will appear to learn several characters or words when viewed from different sides. Such designs can be generated using constructive sound geometry.
Chain
- A design where a expression (or sometimes words) are interlinked, building a repeating chain. Characters are usually overlapped and therefore a word begins partway through another word. Sometimes chain ambigrams are presented in the form of a circle.
Dihedral
- An all natural mirror-image ambigram consisting of numerical digits.
Figure-ground
- A design where the spaces between the characters of 1 term form another expressed term.
Fractal
- A version of space-filling ambigrams where in fact the tiled term branches from itself and then shrinks in a self-similar manner, creating a fractal. See Scott Kim's fractal of the word "TREE" for an animated example.
Mirror-image
- A design that can be read when mirrored in a mirror, as the same term or key phrase both ways usually. Ambigrams that form different words when viewed in the mirror are also known as glass door ambigrams, because they could be paper over a goblet door to be read diversely when exiting or joining.
Multi-Lingual
- An ambigram that can be read one of the ways in one dialect and another real way in an alternative language. Multi-lingual ambigrams can exist in every of the various varieties of ambigrams, with multi-lingual perceptual shift ambigrams being particularly striking.
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