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An ambigram is a indicated word, art form or other symbolic representation whose elements retain meaning when interpreted or viewed from some other course, point of view, or orientation.
This is of the ambigram might either change, or stay the same, when interpreted or viewed from different perspectives.
Douglas R. Hofstadter explains an ambigram as a "calligraphic design that manages to squeeze two different readings into the selfsame set of curves." Different ambigram designers (sometimes called ambigramists) may create completely different ambigrams from the same word or words, differing in both style and form.
Discovery and popularity
The initial known non-natural ambigram schedules to 1893 by artist Peter Newell. Although better known for his children's literature and illustrations for Tag Twain and Lewis Carroll, he published two books of invertible illustrations, in which the picture turns into a different image completely when turned upside down. The final page in his book Topsys & Turvys contains the phrase THE END, which, when inverted, reads PUZZLE. In Topsys & Turvys #2 2 (1902), Newell finished with a variant on the ambigram in which THE final end changes into PUZZLE 2.
The Verbeek strip "The UpsideDowns of old man Muffaroo and little woman Lovekins" used ambigrams in 3 consecutive pieces in March,1904, but normally the format of the utilization was prevented by this strip of word balloons.
From June to September, 1908, the British monthly The Strand released a series of ambigrams by differing people in its "Curiosities" column. Of particular interest is the actual fact that four of individuals submitting ambigrams believed them to be a rare property of particular words. Mitchell T. Lavin, whose "chump" was printed in June, published, "I think it is in the only expression in the British language which has this peculiarity," while Clarence Williams wrote, about his "Choice" ambigram, "Possibly B is the only real letter of the alphabet that will produce this interesting anomaly."
In 1969, Raymond Loewy designed the rotational NEW MAN ambigram logo design, today which continues to be in use. The mirror ambigram DeLorean Motor Logo design was first found in 1975.
John Langdon and Scott Kim each believed that they had invented ambigrams in the 1970s also. Langdon and Kim are most likely both artists who have been most responsible for the popularization of ambigrams. John Langdon produced the first mirror image logo "Starship" in 1975. Robert Petrick, who designed the invertible Angel custom logo in 1976, was an early on influence on ambigrams also.
The earliest known published reference to the term ambigram was by Hofstadter, who attributed the origin of the word to conversations among a small group of friends during 1983-1984. The initial 1979 edition of Hofstadter's G?del, Escher, Bach included two 3-D ambigrams on the cover.
Ambigrams became popular because of this of Dan Dark brown incorporating John Langdon's designs into the story of his bestseller, Angels & Demons, and the Disc release of the Angels & Demons movie has a bonus chapter called "This is an Ambigram". Langdon also produced the ambigram that was used for some versions of the book's cover. Dark brown used the true name Robert Langdon for the hero in his novels as an homage to John Langdon.
In music, the Grateful Deceased have used ambigrams several times, including on the albums Aoxomoxoa and American Beauty.
In the first group of the British show Halloween, the show's sponsor and creator Derren Brown uses cards with rotational ambigrams. These cards can read either 'Trick' or 'Treat'.
Although the words spelled by most ambigrams are brief in length relatively, one Dvd and blu-ray cover for The Princess Bride-to-be movie creates a rotational ambigram out of two words: "Princess Bride-to-be," whether seen right aspect up or ugly.
The Transformers movie series have logos that are a automatic robot face whether looked at right aspect up or upside down. There are two such logos, one for an Autobot, and one for a Decepticon.
In 2015 iSmart's emblem on one of its travel chargers gone viral because upside-down it read "+Jews!" The ongoing company mentioned that "...we learned a robust lessons of what not to do when making a logo design."
Types of Ambigram
Ambigrams are exercises in graphic design that play with optical illusions, symmetry and visible conception. Some ambigrams include a marriage between their form and their content. Ambigrams usually fall under one of the categories:
3-Dimensional
- A design where an thing is provided that will appear to learn several letters or words when viewed from different perspectives. Such designs can be generated using constructive solid geometry.
Chain
- A design in which a term (or sometimes words) are interlinked, building a repeating string. Letters are usually overlapped meaning that a phrase begins partway through another expressed phrase. String ambigrams are presented by means of a group sometimes.
Dihedral
- An all natural mirror-image ambigram consisting of numerical digits.
Figure-ground
- A design where the places between the characters of one term form another portrayed word.
Fractal
- A version of space-filling ambigrams where the tiled expression branches from itself and then shrinks in a self-similar manner, building a fractal. See Scott Kim's fractal of the term "TREE" for an animated example.
Mirror-image
- A design that may be read when mirrored in a mirror, as the same word or key phrase both ways usually. Ambigrams that form different words when viewed in the mirror are also known as glass door ambigrams, because they can be imprinted on the wine glass door to be read in another way when exiting or joining.
Multi-Lingual
- An ambigram that can be read one way in a single dialect and another real way in some other words. Multi-lingual ambigrams can exist in every of the many styles of ambigrams, with multi-lingual perceptual change ambigrams being attractive specifically.
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