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An ambigram is a portrayed term, talent or other symbolic representation whose elements retain meaning when interpreted or seen from another route, point of view, or orientation.
This is of the ambigram might either change, or continue to be the same, when viewed or interpreted from different perspectives.
Douglas R. Hofstadter details an ambigram as a "calligraphic design that manages to squeeze two different readings in to the selfsame group of curves." Different ambigram artists (sometimes called ambigramists) may create completely different ambigrams from the same expression or words, differing in both style and form.
Popularity and discovery
The initial known non-natural ambigram schedules to 1893 by artist Peter Newell. Although better known for his children's literature and illustrations for Symbol Twain and Lewis Carroll, he released two catalogs of invertible illustrations, in which the picture turns into a different image when turned upside down entirely. The final page in his publication Topsys & Turvys provides the phrase THE END, which, when inverted, reads PUZZLE. In Topsys & Turvys #2 2 (1902), Newell finished with a variance on the ambigram where the END changes into PUZZLE 2.
The Verbeek remove "The UpsideDowns of old man Muffaroo and little female Lovekins" used ambigrams in 3 consecutive pieces in March,1904, but in any other case the format of the remove prevented the utilization of term balloons.
From June to September, 1908, the English every month The Strand posted a series of ambigrams by different people in its "Curiosities" column. Of particular interest is the fact that four of individuals submitting ambigrams believed them to be always a rare property of particular words. Mitchell T. Lavin, whose "chump" was shared in June, composed, "I believe it is in the only phrase in the English language which includes this peculiarity," while Clarence Williams composed, about his "Gamble" ambigram, "Possibly B is the one notice of the alphabet that will produce this interesting anomaly."
In 1969, Raymond Loewy designed the rotational NEW MAN ambigram logo, today which is still in use. The mirror ambigram DeLorean Motor Logo design was first used in 1975.
John Langdon and Scott Kim also each assumed that that they had invented ambigrams in the 1970s. Langdon and Kim are probably both artists who have been most in charge of the popularization of ambigrams. John Langdon produced the first mirror image emblem "Starship" in 1975. Robert Petrick, who designed the invertible Angel custom logo in 1976, was also an early impact on ambigrams.
The initial known published mention of the term ambigram was by Hofstadter, who attributed the origin of the expressed word to conversations among a tiny group of friends during 1983-1984. The initial 1979 edition of Hofstadter's G?del, Escher, Bach highlighted two 3-D ambigrams on the cover.
Ambigrams became popular as a result of Dan Dark brown incorporating John Langdon's designs in to the storyline of his bestseller, Angels & Demons, and the Dvd movie release of the Angels & Demons movie consists of a bonus section called "That is an Ambigram". Langdon also produced the ambigram that was used for some variations of the book's cover. Dark brown used the name Robert Langdon for the hero in his books as an homage to John Langdon.
In music, the Grateful Dead have used ambigrams several times, including on the albums American and Aoxomoxoa Beauty.
In the first series of the British isles show Treat or Trick, the show's web host and creator Derren Dark brown uses cards with rotational ambigrams. These credit cards can read either 'Technique' or 'Treat'.
Although the words spelled by most ambigrams are relatively short long, one Disc cover for The Princess Bride-to-be movie creates a rotational ambigram out of two words: "Princess Bride," whether seen right part up or ugly.
The Transformers movie series have logos that are a automatic robot face whether viewed right side up or upside down. You will find two such logos, one for an Autobot, and one for a Decepticon.
In 2015 iSmart's company logo on one of its travel chargers travelled viral because upside-down it read "+Jews!" The ongoing company noted that "...we learned a robust lesson of what not to do when making a logo design."
Types of Ambigram
Ambigrams are exercises in graphic design that play with optical illusions, symmetry and visible understanding. Some ambigrams include a relationship between their form and their content. Ambigrams usually get into one of several categories:
3-Dimensional
- A design where an subject is presented that will appear to read several characters or words when viewed from different angles. Such designs can be made using constructive sound geometry.
Chain
- A design where a word (or sometimes words) are interlinked, building a repeating chain. Letters are usually overlapped and therefore a expression will start partway through another expressed term. String ambigrams are provided by means of a circle sometimes.
Dihedral
- A natural mirror-image ambigram consisting of numerical digits.
Figure-ground
- A design in which the places between the words of one phrase form another portrayed expression.
Fractal
- A version of space-filling ambigrams where the tiled expression branches from itself and then shrinks in a self-similar manner, forming a fractal. See Scott Kim's fractal of the word "TREE" for an animated example.
Mirror-image
- A design that may be read when reflected in a reflection, usually as the same word or word both ways. Ambigrams that form different words when viewed in the mirror are also called glass door ambigrams, because they could be printed on the glass door to be read differently when entering or exiting.
Multi-Lingual
- An ambigram that may be read one of the ways in one words and one other way in a new language. Multi-lingual ambigrams can exist in every of the various styles of ambigrams, with multi-lingual perceptual shift ambigrams being particularly striking.
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