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An ambigram is a word, art form or other symbolic representation whose elements sustain meaning when viewed or interpreted from an alternative way, perspective, or orientation.
The meaning of the ambigram might either change, or stay the same, when interpreted or viewed from different perspectives.
Douglas R. Hofstadter details an ambigram as a "calligraphic design that manages to squeeze two different readings in to the selfsame set of curves." Different ambigram designers (sometimes called ambigramists) may create very different ambigrams from the same expression or words, differing in both form and style.
Popularity and discovery
The earliest known non-natural ambigram schedules to 1893 by musician Peter Newell. Although better known for his children's catalogs and illustrations for Tag Twain and Lewis Carroll, he publicized two literature of invertible illustrations, in which the picture turns into a different image when turned upside down entirely. The last page in his book Topsys & Turvys contains the phrase THE final end, which, when inverted, reads PUZZLE. In Topsys & Turvys Number 2 2 (1902), Newell concluded with a variance on the ambigram where the END changes into PUZZLE 2.
The Verbeek remove "The UpsideDowns of old man Muffaroo and little lady Lovekins" used ambigrams in 3 consecutive whitening strips in March,1904, but often the format of this remove avoided the use of term balloons.
From June to September, 1908, the United kingdom regular The Strand shared some ambigrams by differing people in its "Curiosities" column. Of particular interest is the actual fact that all four of folks submitting ambigrams assumed them to be a rare property of particular words. Mitchell T. Lavin, whose "chump" was released in June, composed, "I believe it is in the only word in the English language which includes this peculiarity," while Clarence Williams wrote, about his "Guess" ambigram, "Possibly B is really the only notice of the alphabet that will produce this interesting anomaly."
In 1969, Raymond Loewy designed the rotational NEW MAN ambigram company logo, today which is still in use. The mirror ambigram DeLorean Motor Logo design was first used in 1975.
John Langdon and Scott Kim also each assumed that that they had invented ambigrams in the 1970s. Langdon and Kim are most likely both artists who've been most responsible for the popularization of ambigrams. John Langdon produced the first mirror image logo "Starship" in 1975. Robert Petrick, who designed the invertible Angel brand in 1976, was an early on affect on ambigrams also.
The earliest known published mention of the term ambigram was by Hofstadter, who attributed the origin of the word to conversations among a little group of friends during 1983-1984. The original 1979 edition of Hofstadter's G?del, Escher, Bach included two 3-D ambigrams on the cover.
Ambigrams became popular consequently of Dan Brown incorporating John Langdon's designs in to the storyline of his bestseller, Angels & Demons, and the Movie release of the Angels & Demons movie includes a bonus chapter called "That is an Ambigram". Langdon also produced the ambigram that was used for a few variations of the book's cover. Brown used the name Robert Langdon for the hero in his books as an homage to John Langdon.
In music, the Grateful Deceased have used ambigrams many times, including on their albums Aoxomoxoa and North american Beauty.
Inside the first group of the English show Treat or Trick, the show's number and inventor Derren Dark brown uses credit cards with rotational ambigrams. These cards can read either 'Trick' or 'Treat'.
Although what spelled by most ambigrams are short in length relatively, one Dvd and blu-ray cover for The Princess Bride-to-be movie creates a rotational ambigram out of two words: "Princess Bride," whether viewed right part or upside down up.
The Transformers movie series have logos that are a robot face whether looked at right area up or ugly. You will find two such logos, one for an Autobot, and one for a Decepticon.
In 2015 iSmart's logo design on one of its travel chargers proceeded to go viral because upside-down it read "+Jews!" The ongoing company known that "...we learned a robust lesson of what not to do when creating a emblem."
Types of Ambigram
Ambigrams are exercises in graphic design that play with optical illusions, symmetry and visual perception. Some ambigrams feature a marriage between their form and their content. Ambigrams usually belong to one of the categories:
3-Dimensional
- A design where an object is offered that can look to learn several characters or words when viewed from different sides. Such designs can be produced using constructive sound geometry.
Chain
- A design where a phrase (or sometimes words) are interlinked, creating a repeating chain. Letters are usually overlapped meaning that a word begins partway through another phrase. Chain ambigrams are presented by means of a circle sometimes.
Dihedral
- A natural mirror-image ambigram comprising numerical digits.
Figure-ground
- A design where the spaces between your characters of 1 term form another portrayed word.
Fractal
- A version of space-filling ambigrams where the tiled expression branches from itself and then shrinks in a self-similar manner, creating a fractal. See Scott Kim's fractal of the word "TREE" for an animated example.
Mirror-image
- A design that can be read when reflected in a reflection, usually as the same phrase or expression both ways. Ambigrams that form different words when viewed in the mirror are also called glass door ambigrams, because they can be printed on a glass door to be read differently when entering or exiting.
Multi-Lingual
- An ambigram that can be read a proven way in a single vocabulary and one other way in some other words. Multi-lingual ambigrams can exist in every of the many styles of ambigrams, with multi-lingual perceptual shift ambigrams being particularly striking.
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