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An ambigram is a expression, art form or other symbolic representation whose elements preserve interpretation when looked at or interpreted from a new path, point of view, or orientation.
This is of the ambigram may either change, or stay the same, when interpreted or seen from different perspectives.
Douglas R. Hofstadter describes an ambigram as a "calligraphic design that handles to squash two different readings into the selfsame group of curves." Different ambigram artists (sometimes called ambigramists) may create very different ambigrams from the same word or words, differing in both form and style.
Discovery and popularity
The initial known non-natural ambigram dates to 1893 by designer Peter Newell. Although better known for his children's books and illustrations for Mark Twain and Lewis Carroll, he printed two books of invertible illustrations, in which the picture turns into a different image entirely when turned upside down. The last page in his book Topsys & Turvys provides the phrase THE END, which, when inverted, reads PUZZLE. In Topsys & Turvys #2 2 (1902), Newell concluded with a variance on the ambigram in which THE END changes into PUZZLE 2.
The Verbeek strip "The UpsideDowns of old man Muffaroo and little woman Lovekins" used ambigrams in 3 consecutive pieces in March,1904, but usually the format of the remove prevented the utilization of word balloons.
From to September June, 1908, the United kingdom regular monthly The Strand published some ambigrams by differing people in its "Curiosities" column. Of particular interest is the actual fact that all four of people submitting ambigrams assumed them to be a rare property of particular words. Mitchell T. Lavin, whose "chump" was publicized in June, published, "I believe it is in the only phrase in the British language which includes this peculiarity," while Clarence Williams composed, about his "Bet" ambigram, "Possibly B is the only letter of the alphabet that will produce such an interesting anomaly."
In 1969, Raymond Loewy designed the rotational NEW MAN ambigram emblem, today which is still in use. The mirror ambigram DeLorean Motor Company logo was first found in 1975.
John Langdon and Scott Kim each thought that they had invented ambigrams in the 1970s also. Langdon and Kim are probably both artists who've been most in charge of the popularization of ambigrams. John Langdon produced the first mirror image logo design "Starship" in 1975. Robert Petrick, who designed the invertible Angel brand in 1976, was also an early on influence on ambigrams.
The earliest known published mention of the word ambigram was by Hofstadter, who attributed the origin of the expressed word to conversations among a little group of friends during 1983-1984. The initial 1979 edition of Hofstadter's G?del, Escher, Bach highlighted two 3-D ambigrams on the cover.
Ambigrams became more popular as a result of Dan Brown incorporating John Langdon's designs in to the story of his bestseller, Angels & Demons, and the Disc release of the Angels & Demons movie is made up of a bonus section called "This is an Ambigram". Langdon also produced the ambigram that was used for some variants of the book's cover. Brown used the name Robert Langdon for the hero in his books as an homage to John Langdon.
In music, the Grateful Deceased have used ambigrams many times, including on their albums American and Aoxomoxoa Beauty.
Within the first series of the British show Treat or Technique, the show's number and creator Derren Brown uses credit cards with rotational ambigrams. These credit cards can read either 'Technique' or 'Treat'.
Although the words spelled by most ambigrams are brief long relatively, one Dvd and blu-ray cover for The Princess Bride-to-be movie creates a rotational ambigram out of two words: "Princess Bride-to-be," whether seen right side up or ugly.
The Transformers movie series have logos that are a automatic robot face whether viewed right side up or upside down. You can find two such logos, one for an Autobot, and one for a Decepticon.
In 2015 iSmart's brand using one of its travel chargers gone viral because upside-down it read "+Jews!" The ongoing company noted that "...we learned a robust lessons of what not to do when making a logo design."
Types of Ambigram
Ambigrams are exercises in graphic design that play with optical illusions, symmetry and visible conception. Some ambigrams feature a relationship between their form and their content. Ambigrams usually get caught in one of several categories:
3-Dimensional
- A design where an object is offered that will appear to learn several words or words when viewed from different sides. Such designs can be generated using constructive solid geometry.
Chain
- A design where a expression (or sometimes words) are interlinked, developing a repeating chain. Characters are usually overlapped meaning that a word will start partway through another phrase. Sometimes chain ambigrams are presented in the form of a circle.
Dihedral
- A natural mirror-image ambigram consisting of numerical digits.
Figure-ground
- A design in which the places between your letters of one word form another portrayed expression.
Fractal
- A version of space-filling ambigrams where in fact the tiled phrase branches from itself and then shrinks in a self-similar manner, developing a fractal. See Scott Kim's fractal of the word "TREE" for an animated example.
Mirror-image
- A design that may be read when reflected in a mirror, usually as the same word or phrase both ways. Ambigrams that form different words when viewed in the mirror are also known as glass door ambigrams, because they can be printed on the glass door to be read differently when entering or exiting.
Multi-Lingual
- An ambigram that can be read one of the ways in a single vocabulary and other ways in another vocabulary. Multi-lingual ambigrams can exist in all of the various styles of ambigrams, with multi-lingual perceptual change ambigrams being stunning specifically.
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